CHAPTER ONE
INTRODUCTION
Activation
is a technique of teaching English that ask student to active in
speaking. And story telling is one of way for teaches students to
communicate creatively in learning English. As a second or foreign
language, English is not easy to learn by the students at the beginning
of the study. For them, English is likely to be one difficulty in
learning. One of the basic skills in English is speaking. Speaking is
the ability that requires the process of communicative competence,
pronunciation, intonation, grammar and vocabulary improving. For the
beginner, speaking exercise of story telling is difficult to try.
Naturally, they feel confused on the rule, like: grammar, vocabulary,
pronunciation, and fluency. Some of students are afraid to be active in
speaking. This phenomenon makes many students have low scores in
English. The lessons must be relaxed and comfortable. So, the students
feel confident, they will not need to try hard to learn language.
It
will just come naturally and easily. In addition, they say that
learning English is confusing activity. For them, English is different
from Indonesian. The students also say that they frequently get bored
when learning English, especially speaking in story telling. Some of the
teachers state that it is caused by the teaching technique which is
applied by them. They are unable to create an interesting classroom
situation. The teacher tells that when teaching learning process occurs
in the classroom, students often seem unwilling to learn. Some of them
are singing, some are laying their head and writing something that is
not related to the material. In conclusion, they do not pay attention to
the teaching-learning process.
CHAPTER TWO
TEACHING SPEAKING OF STORY TELLING
Storytelling
is a creative art form that has entertained and informed across
centuries and cultures (Fisher, 1985), and its instructional potential
continues to serve teachers. Storytelling, or oral literature, has many
of its roots in the attempt to explain life or the mysteries of the
world and the universe--to try to make sense out of things (Tway, 1985).
In doing so, the characters and themes in the stories have become
cultural and often cross-cultural archetypes of historic and continuing
importance (Lasser, 1979). Even in today's technological world, we have
not changed to such a degree that the archetypes presented in
traditional oral literature are no longer applicable (Livo and Rietz,
1986.
Highlights for beginner educational story telling is dedicated
to helping children grow in basic skills and knowledge, in
creativeness, in ability to think and reason, in sensitivity to others,
in high ideals, and worthy ways of living--for children are the world's
most important people. This study investigated the relationship between
reading comprehension and oral storytelling as abilities. Reading
comprehension was measured by the Reading Comprehension subtest of the
Peabody Individual Achievement Test. Storytelling was measured by (a)
the Oral Production subtest of the Language Assessment Scales using the
standard scoring protocol and (b) a story structure analysis. A
comparison of the standard scoring protocol and reading comprehension
revealed no relationship, while the comparison of the story structure
analysis and reading comprehension revealed a significant correlation.
The implications of these results for language assessment of bilingual
students are discussed.
1. Nature of Story Telling
Storytelling
has been used as a means of communication since earliest times. Many
religions started with a person who told stories that conveyed values in
a memorable and moving way, and which were also capable of being
understood at many levels. Storytelling however today is becoming one of
the key ingredients to managing communications, education, training,
and innovation in the 21st century. Educators have long known that the
arts can contribute to student academic success and emotional well
being. The ancient art of storytelling is especially well-suited for
student exploration. As a folk art, storytelling is accessible to all
ages and abilities. No special equipment beyond the imagination and the
power of listening and speaking is needed to create artistic images. As a
learning tool, storytelling can encourage students to explore their
unique expressiveness and can heighten a student's ability to
communicate thoughts and feelings in an articulate, lucid manner. These
benefits transcend the art experience to support daily life skills. In
our fast-paced, media-driven world, storytelling can be a nurturing way
to remind children that their spoken words are powerful, that listening
is important, and that clear communication between people is an art.
2. Basic Concept of Story Telling
To
build children's storytelling skills, Plourde (1985) recommends
activities that focus on role playing, generating character, helping
students find an appropriate voice, and developing the ability to make
logical conclusions. Plourde elaborates on a dozen techniques
appropriate for children in kindergarten through grade 6. One, for
example, has the teacher or one child relate the beginning of a familiar
fairy tale and another child make up an entirely new ending. The United
Nations Educational, Scientific and Cultural Organization (1984) offers
several suggestions for making low-cost crafts materials that
facilitate storytelling. Among them is the construction of a simple
mini-cinema illustrating sequential events of a story. These stages of
the story may then be presented with a flexible strip of drawings
operated by pulling a string.
Gross and Batchelder (1986) present
exercises for older elementary and middle school students designed to
improve group dynamics and create a learning environment for
storytelling. One technique involves using a circle to practice games
inspired by modern dance education and Native American rituals. These
exercises help older students who are apt to be self conscious to become
more confident, willing to participate, and supportive of the
storytelling process. Music--classical or popular, recorded or live--can
also be used to set the scene for storytelling, as can puppets and
other simple props. (Sidorsky, 1985) But effective storytelling is a
versatile strategy that stirs the imagination and enables children to
visualize with few or no visual aids at all.
CHAPTER TRHEE
A. PROCEDURE
For
a classroom teacher who wishes to use storytelling, it is best to begin
by choosing a simple story with only a few characters and an
uncomplicated plot. The story should have action, the plot should be
understandable to the listeners, and the events of the story should have
a definite climax that leads to a conclusion the students will find
satisfactory. Folk and fairy tales are the easiest kinds of stories for
beginning storytellers to communicate (Ramey, 1986; Taub, 1984). In
selecting these or any story, it is important to keep in mind the age of
the children in the audience. Scott (1985) advises the storyteller to
be flexible, to expect unexpected reactions, and to remember that
enjoyment the first and chief consideration. Scott and other researchers
(e.g., Ramey, 1986) emphasize that a storyteller need not be a
"performer," but rather a person who has good memory and listening
skills, who sincerely likes the story chosen for telling, and who knows
the story so well that it can be recreated for an audience without any
uncertainty or panic. Storytellers who are too "actorish" usually
fascinate the audience, but at the expense of the story.
The second
consideration in effective storytelling should be to encourage
exploration and experimentation with language (Schwartz, 1987).
Constructing meaning through use of language is an implicit goal in
storytelling. A language development focus can recommend retelling.
Stories that are told and retold develop a patina with each new telling.
Children's participation in storytelling provides not only novelty to
stimulate the child's curiosity, but also enough familiarity to allow a
child to perceive relationships and to experience success at using
language (Wason-Ellam, 1986).
B. ANALYSIS
Perhaps storytelling's
greatest value for a teacher is its effectiveness in fostering a relaxed
and intimate atmosphere in the classroom An experienced teacher or
storyteller, explains how this practical and general objective can
relate to the other benefits from using storytelling: It can 1)
introduce children to a range of story experiences; 2) provide young
students with models of story patterns, themes, characters, and
incidents to help them in their own writing, oral language, and
thinking; 3) nurture and encourage a sense of humor in children; 4) help
put children's own words in perspective; 5) increase knowledge and
understanding of other places, races, and beliefs; 6) introduce new
ideas and be used to question established concepts without threat to the
individual; 7) lead to discussions that are far ranging and often more
satisfying than those arising from formal lessons; and 8) serve as the
most painless way of teaching children to listen, to concentrate, and to
follow the thread and logic of an argument.
CHAPTER FOUR
CONCLUSION AND SUGGESTION
A.CONCLUSION
B.SUGGESTION
After read many books and finished this paper, the writer would like to put forward suggestion as follow:
1. The beginner must be encourage to use English every time
2. The beginner need to develop their ability especially of speaking English
3.
The teacher shouldn’t force the students in making their speak but she
should be able to make students interest in learning English especially
in story telling
4. The teacher be able to select a good technique in teaching English especially in teaching speaking.
Bibliography
1.
Lillian M. Logan and Virgil G. Logan a Leona Paterson. Creative
Communication, Teaching the Language Art, Mc Graw Hill Ryerson Limited,
Canada.1972.
2. Paul Roberts, Understanding English, Cornell University,1958.
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